[外语类试卷]雅思(阅读)模拟试卷91及答案与解析.doc
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1、雅思(阅读)模拟试卷 91及答案与解析 0 You should spend about 20 minutes on Questions 1-13, which are based on Reading Passage 1 below. Trends in the Indian fashion and textile industries During the 1950s, the Indian fashion scene was exciting, stylish and very graceful. There were no celebrity designers or models,
2、nor were there any labels that were widely recognised. The value of a garment was judged by its style and fabric rather than by who made it. It was regarded as perfectly acceptable, even for high-society women, to approach an unknown tailor who could make a garment for a few rupees, providing the pe
3、rfect fit, finish and style. They were proud of getting a bargain, and of giving their own name to the end result. The 1960s was an era full of mischievousness and celebration in the arts, music and cinema. The period was characterised by freedom from restrictions and, in the fashion world, an accep
4、tance of innovative types of material such as plastic and coated polyester. Tight-fitting kurtas* and churidars* and high coiffures were a trend among women. The following decade witnessed an increase in the export of traditional materials, and the arrival in India of international fashion. Syntheti
5、cs became trendy, and the disco culture affected the fashion scene. It was in the early 80s when the first fashion store Ravissant opened in Mumbai. At that time garments were retailed for a four-figure price tag. American designers like Calvin Klein became popular. In India too, contours became mor
6、e masculine, and even the salwar kameez* was designed with shoulder pads. With the evolution of designer stores came the culture of designer fashion, along with its hefty price tags. Whatever a garment was like, consumers were convinced that a higher price tag signified elegant designer fashion, so
7、garments were sold at unbelievable prices. Meanwhile, designers decided to get themselves noticed by making showy outfits and associating with the right celebrities. Soon, fashion shows became competitive, each designer attempting to out-do the other in theme, guest list and media coverage. In the l
8、ast decade of the millennium, the market shrank and ethnic wear made a comeback. During the recession, there was a push to sell at any cost. With fierce competition the inevitable occurred: the once hefty price tags began their downward journey, and the fashion-show industry followed suit. However,
9、the liveliness of the Indian fashion scene had not ended it had merely reached a stable level. At the beginning of the 21st century, with new designers and models, and more sensible designs, the fashion industry accelerated once again. As far as the global fashion industry is concerned, Indian ethni
10、c designs and materials are currently in demand from fashion houses and garment manufacturers. India is the third largest producer of cotton, the second largest producer of silk, and the fifth largest producer of man-made fibres in the world. The Indian garment and fabric industries have many fundam
11、ental advantages, in terms of a cheaper, skilled work force, cost-effective production, raw materials, flexibility, and a wide range of designs with sequins, beadwork, and embroidery. In addition, that India provides garments to international fashion houses at competitive prices, with a shorter lead
12、 time, and an effective monopoly on certain designs, is accepted the whole world over. India has always been regarded as the default source in the embroidered garments segment, but changes in the rate of exchange between the rupee and the dollar has further depressed prices, thereby attracting more
13、buyers. So the international fashion houses walk away with customised goods, and craftwork is sold at very low rates. As far as the fabric market is concerned, the range available in India can attract as well as confuse the buyer. Much of the production takes place in the small town of Chapa in the
14、eastern state of Bihar, a name one might never have heard of. Here fabric-making is a family industry; the range and quality of raw silks churned out here belie the crude production methods and equipment. Surat in Gujarat, is the supplier of an amazing set of jacquards, moss crepes and georgette she
15、ers all fabrics in high demand. Another Indian fabric design that has been adopted by the fashion industry is the Madras check, originally utilised for the universal lungi, a simple lower-body wrap worn in southern India. This design has now found its way on to bandannas, blouses, home furnishings a
16、nd almost anything one can think of. Ethnic Indian designs with batik and hand-embroidered motifs have also become popular across the world. Decorative bead work is another product in demand in the international market. Beads are used to prepare accessory items like belts and bags, and beadwork is n
17、ow available for haute couture evening wear too. * knee-length tunics * trousers * trouser suit Questions 1-7 Complete the notes below. Choose ONE WORD ONLY from the passage for each answer. Indian fashion: 1950-2000 1950s No well-known designers, models or 【 R1】 _ Elegant clothing coet little Women
18、 were pleased to get clothes for a 【 R2】 _price 1960s Hew materials, eg 【 R3】 _and polyester Fitted clothing and tall hairstyles 1970s Overseas sales of 【 R4】 _fabrics rose Influence of International fashion 1950s Opening of fashion store in Mumbai Popularity of American designers Clothing had a 【 R
19、5】 _shape Designers tried to attract attention by presenting 【 R6】 _ clothes and mixing with stars 1990s Fail in demand for expensive fashion wear Return to 【 R7】 _clothing 1 【 R1】 2 【 R2】 3 【 R3】 4 【 R4】 5 【 R5】 6 【 R6】 7 【 R7】 7 Do the following statements agree with the information given in Readi
20、ng Passage 1? Write TRUE if the statement agrees with the information FALSE if the statement contradicts the information NOT GIVEN if there is no information on this 8 At the start of the 21st century, key elements in the Indian fashion industry changed. 9 India now exports more than half of the cot
21、ton it produces. 10 Conditions in India are generally well suited to the manufacture of clothing. 11 Indian clothing exports have suffered from changes in the value of its currency. 12 Modern machinery accounts for the high quality of Chapas silk. 13 Some types of Indian craftwork which are internat
22、ionally popular had humble origins. 13 You should spend about 20 minutes on Questions 1426, which are based on Reading Passage 2 below. Sustainable growth at Didcot: the outline of a report by South Oxfordshire District Council A The UK Governments South East Plan proposes additional housing growth
23、in the town of Didcot, which has been a designated growth area since 1979. We in South Oxfordshire District Council consider that, although Didcot does have potential for further growth, such development should be sustainable, well-planned, and supported by adequate infrastructure and community serv
24、ices. B Recent experience in Didcot has demonstrated that large greenfield* developments cannot resource all the necessary infrastructure and low-cost housing requirements. The ensuing compromises create a legacy of local transport, infrastructure and community services deficits, with no obvious mea
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