[外语类试卷]大学英语四级模拟试卷734及答案与解析.doc
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1、大学英语四级模拟试卷 734及答案与解析 一、 Part I Writing (30 minutes) 1 For this part, you are allowed 30 minutes to write a short essay entitled Modes of Traveling. You should write at least 120 words following the outline given below in Chinese: 1. 有人选择随团旅游,有人喜欢独自出游 2随团旅游和独自出游的利与弊 3对我而言,最佳的旅游方式是 Modes of Traveling
2、二、 Part II Reading Comprehension (Skimming and Scanning) (15 minutes) Directions: In this part, you will have 15 minutes to go over the passage quickly and answer the questions attached to the passage. For questions 1-7, mark: Y (for YES) if the statement agrees with the information given in the pas
3、sage; N (for NO) if the statement contradicts the information given in the passage; NG (for NOT GIVEN) if the information is not given in the passage. 1 The year 1972 was marked by publication of a controversial book, The Limits to Growth. This study of the worlds future, done by a team of MIT scien
4、tists with the aid of computer “models“ of the future of our society, forecast a planetwide disaster unless humankind sharply limits its population growth and consumption of natural resources. Most people were caught by surprise when the book came out. Many refused to believe that disaster is possib
5、le, probable, inevitable if we dont change our mode of running Spaceship Earth. But science fiction people were neither surprised nor outraged. The study was really old news to them. Theyd been making their own “models“ of tomorrow and testing them all their lives. For what the scientists attempted
6、with their computer model is very much like the thing that science fiction writers and readers have been doing for decades. Instead of using a computer to “model“ a future world society, science fiction writers have used their human imaginations. This gives the writers some enormous advantages. One
7、of the advantages is flexibility. Science fiction writers are not in the business of predicting the future. They do something much more important. They try to show the many possible futures that lie open to us. For there is not simply a future, a time to come that s inevitable. Our future is built,
8、bit by bit, minute by minute, by the actions of human beings. One vital role of science fiction is to show what kinds of future might result from certain kinds of human actions. To communicate the ideas, the fears and hopes, the shape and feel of all the infinite possible futures, science fiction wr
9、iters lean heavily on another of their advantages: the art of fiction. For while a scientist s job has largely ended when hes reduced his data to tabular or graph form, the work of a science fiction writer is just beginning. His task is to convey the human story: the scientific basis for the possibl
10、e future of his story is merely the background. Perhaps “merely“ is too limiting a word. Much of science fiction consists of precious little except the background, the basic idea, the gimmick. But the best of science fiction, the stories that make a lasting impact on generations of readers, are stor
11、ies about people. The people may be non-human. They may be robots or other types of machines. But they will be people, in the sense that human readers can feel for them, share their joys and sorrows, their dangers and their ultimate successes. The art of fiction has not changed much since prehistori
12、c times. The formula for telling a powerful story has remained the same: create a strong character, a per- son of great strengths, capable of deep emotions and decisive action. Give him a weakness. Set him in conflict with another powerful character-or perhaps with nature. Let his exterior conflict
13、be the mirror of the protagonists own interior conflict, the clash of his desires, his own strength against his own weakness. And there you have a story. Whether its Abraham offering his only son to God, or Paris bringing ruin to Troy over a woman, or Hamlet and Claudius playing their deadly game, F
14、aust seeking the worlds knowledge and power the stories that stand out in the minds of the readers are those whose characters are unforgettable. To show other worlds, to describe possible future societies and the five problems lurking ahead, is not enough. The writer of science fiction must show how
15、 these worlds and these futures affect human beings. And something much more important, he must show how human beings can and do literally create these future worlds. For our future is largely in our own hands. It doesnt come blindly rolling out of the heavens; it is the joint product of the actions
16、 of billions of human beings. This is a point thats easily forgotten in the rush of headlines and the hectic badgering of everyday life. But its a point that science fiction makes constantly, the future belongs to us whatever it is. We make it, our actions shape to morrow. We have the brains and gut
17、s to build paradise(or at least try). Tragedy is when we fail, and the greatest crime of all is when we fail even to try. Thus science fiction stands as a bridge between science and art, between the engineers of technology and the poets of humanity. Never has such a bridge been more desperately need
18、ed. Writing in the British journal New Scientist, the famed poet and historian Robert Graves said in 1912, “Technology is now warring openly against the crafts, and science covertly against poetry. “ What Graves is expressing is the fear that many people have: technology has already allowed machines
19、 to replace human muscle power; now it seems that machines such as electronic computers might replace human brainpower. And he goes even further, criticizing science on the grounds that truly human endeavors ours such as poetry have a power that scientists cant recognize. 2 According to the passage,
20、 it is hardly surprising that this book came out. ( A) Y ( B) N ( C) NG 3 Science fiction people got angry when they learned that book forecast such an planetwide disaster. ( A) Y ( B) N ( C) NG 4 Science fiction people use their imagination to figure out what the future will be while soientists at
21、tempt to do it with their computer mode. ( A) Y ( B) N ( C) NG 5 The Best of science fiction can make a lasting impact on generations of readers. ( A) Y ( B) N ( C) NG 6 Science fiction people like to object to the opinion of scientist, no matter what they say. ( A) Y ( B) N ( C) NG 7 Apparently Gra
22、ves sees scientists as a sober, plodding phalanx of soulless thinking machines, never making a step that hasnt been carefully thought out in advance. ( A) Y ( B) N ( C) NG 8 One of the important aspect science fiction have to show is how these worlds and these features affeet human beings. ( A) Y (
23、B) N ( C) NG 9 According the passage, to build paradise needs _. 10 The formula for telling a powerful story has _ except strong character. 11 The fear mentioned in the last Part, in fact, is a fear to _. Section A Directions: In this section, you will hear 8 short conversations and 2 long conversat
24、ions. At the end of each conversation, one or more questions will be asked about what was said. Both the conversation and the questions will be spoken only once. After each question there will be a pause. During the pause, you must read the four choices marked A, B, C and D, and decide which is the
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- 外语类 试卷 大学 英语四 模拟 734 答案 解析 DOC
