[外语类试卷]大学英语六级模拟试卷36及答案与解析.doc
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1、大学英语六级模拟试卷 36及答案与解析 一、 Part I Writing (30 minutes) 1 For this part, you are allowed 30 minutes to write a letter to the local government complaining that some Internet cafes open to teenagers you should write at least 150 words following the outline given below in Chinese 1. 许多网吧向未成年人开放 2. 列举这一现象的危害
2、并分析原因 3. 提出建议,希望引起重视 二、 Part II Reading Comprehension (Skimming and Scanning) (15 minutes) Directions: In this part, you will have 15 minutes to go over the passage quickly and answer the questions attached to the passage. For questions 1-4, mark: Y (for YES) if the statement agrees with the informa
3、tion given in the passage; N (for NO) if the statement contradicts the information given in the passage; NG (for NOT GIVEN) if the information is not given in the passage. 2 The Business of Media Violence In 2001, people around the world spent US $14 billion going to the movies. The U.S. domestic bo
4、x office alone hit US $9 billion a 75 per cent increase from 1991 and there are huge revenues from home video/DVD sales, rentals and spin-off merchandise. But even these profits are dwarfed by music, the largest global media sector. In 2000, sales reached US $37 billion, with music consumption high
5、among young audiences everywhere. Video games are not far behind: global sales for 2002 were anticipated to be US $31 billion. An Expanding Foreign Market American media corporations earn at least half of their profits from foreign sales. And global markets are growing fast as standards of living ar
6、e rising around the world. Sales of TVs, stereos, VCRs and satellite dishes are increasing, and in the last decade or two, new and expanding markets have emerged in countries that have abandoned state control of media and distribution. Today, U.S. films are shown in more than 150 countries worldwide
7、, and the U.S. film industry provides most of the pre-recorded videos and DVDs sold throughout the world. American television programs are broadcast in over 125 international markets, and MTV can be seen in more foreign households than American ones. This international success has a tremendous impac
8、t not just on the recipient(愿意接受的 ) countries, but also on the cultural environment of the U.S. To some extent, the tail is wagging the dog: more and more, the demands and tastes of foreign markets are influencing what popular products get made in the U.S. Action Sells: Film and Television Nowhere i
9、s this influence more evident than in the film industry. In the U.S. and Canada, movies rated “G“(General) and “PG“(Parental Guidance) consistently brings in more revenues than R-rated films. Yet the number of G and PG films has dropped in recent years, and the number of restricted films has risen.
10、Two-thirds of Hollywood films in 2001 were rated “R“. Film producers are unequivocal(不含糊的 ) about why this is so: the foreign market likes action films. Action travels well. Action movies dont require complex plots or characters. They rely on fights, killings, special effects and explosions to hold
11、their audiences. And, unlike comedy or drama which depend on good stories, sharp humor, and credible characters, all of which are often culture-specific action films require little in the way of good writing and acting. Theyre simple, and theyre universally understood. To top it off, the largely non
12、-verbal nature of the kind of films that journalist Sharon Waxman refers to as “short-on-dialogue, high-on-testosterone“ makes their dubbing(配音 )or translation relatively inexpensive. There are, of course, exceptions to the rule. The film Titanic made almost US $2 billion in worldwide sales as of 20
13、01 making it the biggest-grossing movie of all time. The British film The Full Monty was an international hits and My Big Fat Greek Wedding debunked all the profit formulas in 2002. But such offbeat successes are hard to predict. A flick such as Die Hard or Terminator is much more of a sure thing. M
14、ost film budgets today average US $75-100 mil- lion, so Hollywood studios dont like to take chances. All this means enormous pressure on the American movie industry to abandon complexity in favour of action films. The effect is a kind of “dumbing-down“ of the industry in general. Foreign investors a
15、re much less likely to invest in films focusing on serious social themes or womens issues, or ones that feature minority casts. Such films, however brilliant, are not where the big money is. Worldwide appeal determines casting and script decisions and the overwhelming demand is for white actors and
16、action. Success breeds success, and the sheer ubiquity(无处不在 ) of these productions and all their spin-off products and businesses around the world is in turn fueling an ever-growing demand for U.S. popular culture products. Foreign market pressures are driving the $1.9 billion Canadian film and tele
17、vision industry as well: international sales are essential for a country with such a small domestic market. And so, as the Writers Guild of Canada points out, “distributors are now the gatekeepers of Canadian television.“ According to the Guild, the pressures of foreign markets are resulting in more
18、 non-Canadian writers, and television series that look less and less Canadian. Its hard to compete with the giant next door. Because American studios export so widely, they can sell an hours worth of TV entertainment to Canadian broadcasters at a cost well below what it would cost Canada to produce
19、its own.(Its been said that two minutes of original television production can buy an hour of American drama). And getting a film shown in Canadian theatres can be a challenge when most theatres are owned by large multinational corporations. Explicit and Violent Music Lyrics Go Mainstream In the last
20、 decade, social analysts have also noted a steady increase in violent and anti-social music lyrics and images. Once relegated to the fringes, “rage“ music, filled with profanity(亵渎 ) and hate, has become a cash cow for the mainstream music industry. The worlds largest music company, Universal Music
21、Group, is putting the might of its international marketing machine behind artists like Eminem, Dr. Dre and Limp Bizkitall known for their bleak anthems of Violence and hatred, often aimed at women, gays and lesbians. This kind of violence reached mainstream status in 2001, when the U.S. Grammy award
22、s nominated Eminem for four awards, he won three, and his 2002 CD, The Eminem Show made US $3.63 million in its first month of sales. Rap music, too, has been co-opted by the major corporations. The Recording Industry Association of America says that rap/hip-hop, which sprang out of the East Coast m
23、usic scene 25 years ago, replaced pop music in 2001 as the third most popular music genre. Gansta Rap artists are now being accused of destroying the soul of original rap and hip hop movements with their violent lyrics and lifestyles. Video Games and Violence Though there are many challenging non-vi
24、olent computer and video games, in the last few years video games have become almost synonymous with violence. Their trademark movie-like realism, combined with enormous marketing budgets, has made this entertainment industry the second most-profitable in the world. In September 2002, the ultra-viol
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- 外语类 试卷 大学 英语六级 模拟 36 答案 解析 DOC
