[外语类试卷]北京英语水平考试(BETS)三级笔试模拟试卷3及答案与解析.doc
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1、北京英语水平考试( BETS)三级笔试模拟试卷 3及答案与解析 一、 Part 1 0 You are going to read a magazine article about the popularity of activity holidays. Choose the most suitable heading from the list A-I for each part (1-7) of the article. There is one extra heading which you de net need to use. A A false sense of security
2、B Remote destinations C Too risky for some D Holidays that dont quite work E New findings F Very little real danger G Too much routine H Second-hand experiences I Available to all Activity Holidays Whether its bungee-jumping, climbing or sky-diving, we want to test ourselves on holiday. Peter Jones
3、tries to find out why. Risk-taking for pleasure is on the increase. Adventure activities and “extreme“ sports are becoming very popular and attracting everyone from the young and fit to people who, until recently, were more likely to prefer walking round museums at weekends. Grandmothers are white-w
4、ater rafting, secretaries are bungee-jumping, and accountants are climbing cliffs. 【 B1】 _ Well-planned summer expeditions to tropical locations are now fashionable for European university students. As they wander over ancient rocks or canoe past tiny villages, away from it all, it s quite possible
5、to feel “in tune with nature“, a real explorer or adventurer. 【 B2】 _ A whole blanch of the travel industry is now developing around controlled risks. Ordinary trippers, too, are met off a plane, strapped into rafts or boats and are given the sort of adventure that they will remember for years. They
6、 pay their money and they trust their guides, and the wetter they get the better. Later, they buy the photograph of themselves “risking all in the wild“. 【 B3】 _ But why the fashion for taking risks, real or simulated? The point that most people make ix that city lie is tame, with little variety, an
7、d increasingly corrtroled. Physical exercise is usually restricted to aerobics in the gym on a Thursday, and a game of football or tennis in the park or a short walk at the weekend. 【 B4】 _ Says Trish Malcolm, an independent tour operator: “People want a sense of immediate achievement and the social
8、 element of shared physical experience is also important. Other operators say that people find the usual type of breaks-such as a week on the beach-Loo slow. They say that participation in risk sports is a reflection of the restlessness in people. They are always on the go in their lives and want to
9、 keep up the momentum on holiday. 【 B5】 _ But psychologists think its even deeper than this. Culturally, we are being separated from the physical, outside world. Recent research suggests that the average person spends less and less time out of doors per day. 【 B6】 _ Nature and the great outdoors are
10、 mostly encountered through wildlife films or cinema, or seen rushing past the windows of a fast car. In a society where people are continually invited to watch rather than to participate, a two-hour ride down a wild and fast- flowing river can be incredibly exciting. 【 B7】 _ One psychologist believ
11、es that it is all part of our need to corrtrol nature. Because we have developed the technology to make unsinkable boats, boots that can stop us getting frostbite or rackets that allow us to survive in extreme temperatures, we are beginning to believe that nothing will harm us and that we are protec
12、ted from nature. That is until nature shows us her true power in the form of a storm, flood or avalanche. 1 【 B1】 _ 2 【 B2】 _ 3 【 B3】 _ 4 【 B4】 _ 5 【 B5】 _ 6 【 B6】 _ 7 【 B7】 _ 二、 Part 2 7 You are going to read an article about the actress Harriet Walter. For questions 8-15, choose the answer (A, B,
13、C or D) which you think fits best according to the text. Acting minus the drama Harriet Walter has written a fascinating book about her profession. Benedicte Page reports. It is not often that all experienced actor with a high public profile will sit down to answer in depth the ordinary theatregoers
14、 questions: how do you put together a character which isnt your own?; what is it like to perform the same play night after night?; or simply, why do you do it? Harriet Walter was prnmpted to write Other Peoples Shoes: Thoughts on Acting by a sense that many peoples interest in theatre extended beyon
15、d the scope of entertainment chit-chat. “1 was asked very intelligent, probing questions by people who werent in the profession, from taxi drivers to dinner-party hosts to people in shopping queues. It made me realise that people have an interest in what we do which goes beyond show- business gossip
16、,“ she says. Other Peoples Shoes avoids insider gossip and, mostly, autobiography: “If events in my life had had a huge direct influence, l would have put them in, but they didnt,“ Harriet says, though she does explain how her parents divorce was a factor in her careen But the focus of the book is t
17、o share remarkably openly the inside experience of the stage and the rehearsal room, aiming to replace the lalse sense of mystery with a more realistic understanding and respect for the profession. “Theres a certain double edge to the publicity an actor can get in the newspapers: it gives you attent
18、ion but, by giving it to you, simultaneously criticises you,“ Harriet says. “People ask you to talk about yourself and then say, Oh, actors are so self-centred. And the sound- bite variety of journalism, which touches on many things but never allows you to go into them in depth, leaves you with a so
19、rt of short hand which reinforces prejudices and myths.“ Harriets career began in the 1970s and has included theatre performances with the Royal Shakespeare Company and television and film roles. She writes wittily about the embarrassments of the rehearsal room, as actors try out their half-formed i
20、deas. And she is at pains to demystify the theatre: thc question “How do you do the same play every night?“ is answered by a simple comparison with the familiar car journey you take every day, which presents a slightly different challenge each time. “I was trying to get everyone to understand it isn
21、t line 42 this extraordinary mystery and youre not visitcd by some spiritual inspiration every night.“ Harriets own acting style is to build up a character piccu by piece. She says that this process is not widely understood: “Theres no intelligent vocabulary out there for discussing thc craft of bui
22、lding characters. Reviews of an actors performance which appear in the newspapers are generally based on whethcr the reviewer likes the actors or not. Its not about whether they are being skilful or not, or how intelligent their choices are.“ There remains something mysterious about slipping into “o
23、ther peoples shocs: “Its something like falling in love,“ Harriet says. “When youre in love with someone, you go in and out of separateness and togetherness. Its similar with acting and you can slip in and out of a character. Once a character has been built, it remains with you, at the end of a phon
24、e line, as it were, waiting for your call.“ Harriet includes her early work in Other Peoples Shoes “I wanted to separate myself from those who say, What an idiot I was, what a load of nonsense we all talked in those days!; it wasnt all rubbish, and it has affected how I approach my work and my audie
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