[外语类试卷]专业英语八级模拟试卷648及答案与解析.doc
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1、专业英语八级模拟试卷 648及答案与解析 SECTION A MINI-LECTURE Directions: In this section you sill hear a mini-lecture. You will hear the lecture ONCE ONLY. While listening, take notes on the important points. Your notes will not be marked, but you will need them to complete a gap-filling task after the mini-lecture.
2、 When the lecture is over, you will be given two minutes to check your notes, and another ten minutes to complete the gap-filling task on ANSWER SHEET ONE. Use the blank sheet for note-taking. 0 To see how big carriers could control the online world, you must understand its structures. Earthlink giv
3、es Jennifer access to the Internet, much in the way than an onramp puts a driver on the national highway system. Earthlink is a local internet service provider, and it will send the【 1】 to an Internet “【 2】 provider“, to route it along its way. These Internet players typically own and lease long-hau
4、l fiber-optic cables spanning a large region. They also own the communications gear that directs【 3】 over the Internet. They connect to each other to exchange data between their customers, like the highway system over which most of the freight of the Internet travels to reach its【 4】 . Now, instead
5、of the National Science Foundation, there are many of them that-link together to provide the global【 5】 , that is the Internet. The problem was, as the Internet grew, the public points became overburdened and traffic showed at these bottlenecks. So they started making arrangements with each other. A
6、nd they arent changing peers now,but there is a lot of discussion about whether they should. And the industry has not figured out how to【 6】 who owes what to whom if fees should be changed. Since the Internet was【 7】 , it has grown by leaps and bounds into a remarkably successful communications medi
7、um without government【 8】 -and most want to stay that way. But the Internet has matured to a point that more uniform rules are needed to【 9】 competition. Those who can afford to pay the price can become peers. Peering would be determined by the【 10】 rather than by a private company with its own comp
8、etitive interests. SECTION B INTERVIEW Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. Questions 1 to 5 are based on an interview. At the end of the interview you will be given 10 seconds to answer each of the following five
9、 questions. Now listen to the interview. 11 What subject is Mr. Pitt good at? ( A) Art. ( B) French. ( C) German. ( D) Chemistry. 12 What does Mr. Pitt NOT do in his spare time? ( A) Doing a bit of acting and photography. ( B) Going to concerts frequently. ( C) Playing traditional jazz and folk musi
10、c ( D) Traveling in Europe by hitch-hiking. 13 When asked what a manager s role is, Mr. Pitt sounds _. ( A) confident ( B) hesitant ( C) resolute ( D) doubtful 14 What does Mr. Pitt say he would like to be? ( A) An export salesman working overseas. ( B) An accountant working in the company. ( C) A p
11、roduction manager in a branch. ( D) A policy maker in the company. 15 Which of the following statements about the management trainee scheme is TRUE? ( A) Trainees axe required to sign contracts initially. ( B) Trainees performance is evaluated when necessary. ( C) Trainees starting salary is 870 pou
12、nds. ( D) Trainees cannot quit the management scheme. SECTION C NEWS BROADCAST Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. At the end of each news item, you will be given 10 seconds to answer the questions. 16 Which of t
13、he following is mentioned as the governments measure to control inflation? ( A) Foreign investment. ( B) Donor support. ( C) Price control. ( D) Bank prediction. 17 According to Kingdom Bank, what is the current inflation rate in Zimbabwe? ( A) 20 million percent. ( B) 2. 2 million percent. ( C) 11.
14、2 million percent. ( D) Over 11.2 million percent. 17 The earliest controversies about the relationship between photography and art centered on whether photographs fidelity to appearances and dependence on a machine allowed it to be a fine art as distinct from merely a practical art. Throughout the
15、nineteenth century, the defence of photography was identical with the struggle to establish it as a fine art. Against the charge that photography was a soulless, mechanical copying of reality, photographers asserted that it was instead a privileged way of seeing, a revolt against commonplace vision,
16、 and no less worthy an art than painting. Ironically, now that photography is securely established as a fine art, many photographers find it pretentious or irrelevant to label it as such. Serious photographers variously claim to be finding, recording, impartially observing, witnessing events, explor
17、ing themselves - anything but making works of art. They are no longer willing to debate whether photography is or is not a fine art, except to proclaim that their own work is not involved with art. It shows the extent to which they simply take for granted the concept of art imposed by the triumph of
18、 Modernism: the better the art, the more subversive it is of the traditional aims of art. Photographers disclaimers of any interest in making art tell us more about the harried status of the contemporary notion of art than about whether photography is or is not art. For example, those photographers
19、who suppose that, by taking pictures, they are getting away from the pretensions of art as exemplified by painting remind us of those Abstract Expressionist painters who imagined they were getting away from the intellectual austerity of classical Modernist painting by concentrating on the physical a
20、ct of painting. Much of photographys prestige today derives from the convergence of its aims with those of recent art, particularly with the dismissal of abstract art implicit in the phenomenon of Pop painting during the 1960s. Appreciating photographs is a relief to sensibilities tired of the menta
21、l exertions demanded by abstract art. Classical Modernist painting - that is, abstract art as developed in different ways by Picasso, Kandinsky, and Matisse - pre- supposes highly developed skills of locking and a familiarity with other paintings and the history of art. Photography, like Pop paintin
22、g, reassures viewers that art is not hard; photography seems to be more about its subjects than abut art. Photography, however, has developed all the anxieties and self-consciousness of a classic Medernist art. Many professionals privately have begun to worry that the promotion of photography as an
23、activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity - in short, an art. 18 The author is concerned with _. ( A) defining the Modernist attitude toward art ( B) explaining how photography emerged
24、as a fine art ( C) explaining the attitude of serious contemporary photographers toward photography as art and placing those attitudes in their historical context ( D) defining the various approaches that serious contemporary photographers take toward their art and assessing the value of each of tho
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- 外语类 试卷 专业 英语 模拟 648 答案 解析 DOC
