[外语类试卷]GRE(VERBAL)阅读模拟试卷7及答案与解析.doc
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1、GRE( VERBAL)阅读模拟试卷 7及答案与解析 0 Mary Barton, particularly in its early chapters, is a moving response to the suffering of the industrial worker in the England of the 1840s. What is most impressive about the book is the intense and painstaking effort made by the author, Elizabeth Gaskell, to convey the
2、experience of everyday life in working class homes. Her method is partly documentary in nature: the novel includes such features as a carefully annotate reproduction of dialect, the exact details of food prices in an account of a tea party, an itemized description of the furniture of the Bartons liv
3、ing room, and a transcription (again annotated) of the ballad “The Oldham Weaver”. The interest of this record is considerable, even though the method has a slightly distancing effect. As a member of the middle class, Gaskell could hardly help approaching working-class life as an outside observer an
4、d a reporter, and the reader of the novel is always conscious of this fact. But there is genuine imaginative re-creation in her accounts of the walk in Green Heys Fields, of tea at the Bartons house, and of John Barton and his friends discovery of the starving family in the cellar in the chapter “Po
5、verty and Death.” Indeed, for a similarly convincing re-creation of such families emotions and responses (which are more crucial than the material details on which the mere reporter is apt to concentrate), the English novel had to wait 60 years for the early writing of D. H. Lawrence. If Gaskell nev
6、er quite conveys the sense of full participation that would completely authenticate this aspect of Mary Bartons, she still brings to these scenes an intuitive recognition of feelings that has its own sufficient conviction. The chapter “Old Aices History” brilliantly dramatizes the situation of that
7、early generation of workers brought from the villages and the countryside to the urban industrial centers. The account of Job Leigh, the weaver and naturalist who is devoted to the study of biology, vividly embodies one kind of response to an urban industrial environment: an affinity for living thin
8、gs that hardens, by its very contrast with its environment, into a kind of crankiness. The early chaptersabout factory workers walking out in spring into Green Heys Fields, about Alice Wilson, remembering in her cellar the twig-gathering for brooms in the native village that she will never again see
9、, about job Leigh, intent on his impaled insectscapture the characteristic responses of a generation to the new and crushing experience of industrialism. The other early chapters eloquently portray the development of the instinctive cooperation with each other that was already becoming an important
10、tradition among workers. 1 It can be inferred from examples given in the last paragraph of the passage that which of the following was part of “the new and crushing experience of industrialism” for many members of the English working class in the nineteenth century. ( A) Extortionate food prices ( B
11、) Geographical displacement ( C) Hazardous working conditions ( D) Alienation from fellow workers ( E) Dissolution of family ties 2 It can be inferred that the author of the passage believes that Mary Barton might have been an even better novel if Gaskell ( A) concentrated on the emotions of a singl
12、e character ( B) made no attempt to re-create experiences of which she had no firsthand knowledge ( C) made no attempt to reproduce working-class dialects ( D) grown up in an industrial city ( E) managed to transcend her position as an outsider 3 Which of the following best describes the authors att
13、itude toward Gaskells use of the method of documentary record in Mary Barton? ( A) uncritical enthusiasm ( B) Unresolved ambivalence ( C) Qualified approval ( D) Resigned acceptance ( E) Mild irritation 4 Which of the following is most closely analogous to Job Leigh in Marry Barton, as that characte
14、r is described in the passage? ( A) An entomologist who collected butterflies as a child ( B) A small-town attorney whose hobby is nature photography ( C) A young man who leaves his familys dairy farm to start his own business ( D) A city dweller who raises exotic plants on the roof of his apartment
15、 building ( E) A union organizer who works in a textile mill under dangerous conditions 4 The work of English writer Aphra Behn (16401689) changed markedly during the 1680s, as she turned from writing plays to writing prose narratives. According to literary critic Rachel Carnell, most scholars view
16、this change as primarily motivated by financial considerations: earning a living by writing for the theatre became more difficult in the 1680s, so Behn tried various other types of prose genres in the hope of finding another lucrative medium. In fact, a long epistolary scandal novel that she wrote i
17、n the mid-1680s sold quite well. Yet, as Carnell notes, Behn did not repeat this approach in her other prose works; instead, she turned to writing shorter, more serious novels, even though only about half of these were published during her lifetime. Carnell argues that Behn, whose stage productions
18、are primarily comedies, may have turned to an emerging literary form, the novel, in a conscious attempt to criticize, and subvert for her own ends, the conventions and ideology of a well-established form of her day, the dramatic tragedy. Carnell acknowledges that Behn admired the skill of such conte
19、mporary writers of dramatic tragedy as John Dryden, and that Behns own comic stage productions displayed the same partisanship for the reigning Stuart monarchy that characterized most of the politically oriented dramatic tragedies of her day. However, Carnell argues that Behn took issue with the way
20、 in which these writers and plays defined the nature of tragedy. As prescribed by Dryden, tragedy was supposed to concern a heroic man who is a public figure and who undergoes a fall that evokes pity from the audience. Carnell points out that Behns tragic novels focus instead on the plight of little
21、-known women and the private world of the household; even in her few novels featuring male protagonists, Behn insists on the importance of the crimes these otherwise heroic figures commit in the domestic sphere. Moreover, according to Carnell, Behn questioned the view promulgated by monarchist drama
22、tic tragedies such as Drydens: that the envisioned “public” political idealpassive obedience to the nations kingought to be mirrored in the private sphere, with family members wholly obedient to a male head of household. Carnell sees Behns novels not only as rejecting the model of patriarchal and hi
23、erarchical family order, but also as warning that insisting on such a parallel can result in real tragedy befalling the members of the domestic sphere. According to Carnell, Behns choice of literary form underscores the differences between her own approach to crafting a tragic story and that taken i
24、n the dramatic tragedies, with their artificial distinction between the public and private spheres. Behns novels engage in the political dialogue of her era by demonstrating that the good of the nation ultimately encompasses more than the good of the public figures who rule it. 5 The passage is prim
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- 外语类 试卷 GRE VERBAL 阅读 模拟 答案 解析 DOC
