专业八级-247 (1)及答案解析.doc

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1、专业八级-247 (1)及答案解析(总分：99.00，做题时间：90 分钟)一、BPART LISTENIN(总题数：4，分数：19.00)With the explosion of excitement about the Internet, there seems to be another type of addiction that has invaded the human psyche.I. Internet addiction or computer addiction: what to name the phenomenon?1) Internet Addiction Diso

2、rder- Some people seem to be too excited about the Internet.2) Computer Addiction- Many people are attached only to their computers and dont care about the Internet.3) Cyberspace Addiction- an addiction to (1) _ of experience created through computer engineering- many subtypes with (2) _ some are ga

3、me and competition orientedsome fulfill more (3) _ some are an extension of workaholicism. Normal enthusiasm and abnormal preoccupation: where to draw the line?1) Addictions can be healthy, unhealthy or (4) _.- healthy: an outlet for learning, creativity and self-expression- unhealthy: serious distu

4、rbances in ones ability to function in (5) _ 2) With no official psychological or psychiatric diagnosis of an Internet or Computer Addiction, there are only definitions of the constellation of (6) _ that constitute such addictions in different ways. Problematic addiction and healthy Internet use: th

5、e speakers premise1) problematic addiction: when they have (7) _ their cyber life from face-to-face life2) healthy Internet use: (8) _ the face-to-face and cyberspace worlds3) “bringing in the real world“- an important principle for helping people who are addictively (9) _ in cyberspace- a powerful

6、tool for intervening with people who are addicted to (10) _ in cyberspace（分数：10.00）(1).（分数：1.00）填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_填空项 1:_BSECTION B/BI Questions 1 to 5 are based on an interview. At the end of the interview you will be given 10 seconds to answer each of t

7、he following five questions.Now listen to the interview./I（分数：5.00）(1).What is the decoration of the East Room like?（分数：1.00）A.Its elaborate.B.Its simpler than past.C.Its nothing special.D.Its too plain.(2).Why do they use real roses according to Laura?（分数：1.00）A.Real roses are more fragrant.B.Real

8、roses can show their social status.C.Real roses are fresh things.D.Real roses can better show their love.(3).Whats Donna Greens main responsibility?（分数：1.00）A.To help decorate the White House.B.To do the White House Christmas card.C.To guide visitors to the White House during the Christmas.D.To illu

9、strate the decorations of the White House.(4).The White House during Christmas this year is very different in that _.（分数：1.00）A.its much prettierB.its more elegantC.everything is fresh and realD.everything is brand new(5).Which of the following is NOT mentioned by Laura as something Americans have a

10、 difficult time doing?（分数：1.00）A.Having family members employed in Iraq.B.Watching images from Iraq.C.Worrying about their family members in Iraq.D.Watching American troops in Iraq.BSECTION C/BI Questions 6 to 7 are based on the following news. At the end of the news item, you will be given 10 secon

11、ds to answer each question.Now listen to the news./I（分数：2.00）(1)._has been global No. 1 automaker for many years.（分数：0.40）A.ToyotaB.BenzC.The Dow IndustrialsD.General Motors(2).The NASDAQ Composite lost（分数：0.40）A.1.5%B.3%C.0.67%D.0.78%_I Questions 9 to 10 are based on the following news. At the end

12、of the news item, you will be given 10 seconds to answer each question.Now listen to the news./I（分数：2.00）(1).In his Southeast Asia tour, President Bush did all of the following EXCEPT to _.（分数：1.00）A.visit SingaporeB.attend a summit of Asia-Pacific leaders in SingaporeC.meet Singapore officialsD.enj

13、oy Asian civilizations(2).According to Rice, what must Asia-Pacific nations do to maintain economic prosperity?（分数：1.00）A.They must cooperate with one another.B.They must further promote trade relationships.C.They must combat security threats such as terrorism.D.They must come up with effective trad

14、e plans in the APEC forum.二、BPART READING (总题数：7，分数：20.00)BTEXT A/BThe newspaper must provide for the reader the facts, unalloyed, unslanted, objectively selected facts. But in these days of complex news it must provide more; it must supply interpretation, the meaning of the facts. This is the most

15、important assignment confronting American journalism - to make clear to the reader the problems of the day, to make international news as understandable as community news, to recognize that there is no longer any such thing (with the possible exception of such scribbling as society and club news) as

16、 “local“ news, because any event in the international area has a local reaction in manpower draft, in economic strain, in terms, indeed, of our very way of life.There is in journalism a widespread view that when you embark on interpretation, you are entering choppy and dangerous waters, the swirling

17、 tides of opinion. This is nonsense.The opponents of interpretation insist that the writer and the editor shall confine themselves to the “facts“. This insistence raises two questions: what are the facts? And: are the bare facts enough?As to the first query, consider how a so-called “factual“ story

18、comes about. The reporter collects, say, fifty facts; out of these fifty, his space allotment being necessarily restricted, he selects the ten, which he considers most important. This is Judgment Number One. Then he or his editor decides which of these ten facts shall constitute the lead of the piec

19、e. This is important decision because many readers do not proceed beyond the first paragraph. This is Judgment Number Two. Then the night editor determines whether the article shall be presented on page one, where it has a large impact, or on page twenty-four, where it has little. Judgment Number Th

20、ree.Thus, in the presentation of a so-called “factual“ or “objective“ story, at least three judgments are involved. And they are judgments not at all unlike those involved in interpretation, in which reporter and editor, calling upon their general background, and their “news neutralism“, arrive at a

21、 conclusion as to the significance of the news.The two areas of judgment, presentation of the news and its interpretation, axe both objective rather than subjective processes - as objective, that is, as any human being can be. (Note in passing: even though complete objectivity can never be achieved,

22、 nevertheless the ideal must always be the beacon on the murky news channels.) If an editor is intent on slanting the news, he can do it in other ways and more effectively than by interpretation. He can do it by the selection of those facts that prop up his particular plea. Or he can do it by the pa

23、y he gives a story - promoting it to page one or demoting it to page thirty.（分数：5.00）(1).Readers expect all of the following from newspapers EXCEPT _.（分数：1.00）A.how to interpret newsB.what news meanC.local newsD.international news(2).It can be inferred from the passage that _.（分数：1.00）A.news of loca

24、l areas will no longer be reportedB.interpretation of news always involves editors biasC.American journalism is in lack of objectivityD.there is a higher requirement for the content of news today(3).What can be inferred about the opponents of interpretation?（分数：1.00）A.They have a higher requirement

25、for the objectivity of news than supporters do.B.They have a narrow understanding of what facts mean.C.They doubt that news can be factual.D.They dont believe in the validity of interpreted news.(4).In what way are presentation and interpretation of news alike?（分数：1.00）A.They are both subjective.B.T

26、hey are both difficult to do.C.They both involve judgments by reporters and editors.D.They both help keep the objectivity of news.(5).The passage is mainly about _.（分数：1.00）A.how to select newsB.how to interpret newsC.requirements for news interpretationD.objectivity of news interpretation/1.BTEXT B

27、/BExtraordinary creative activity has been characterized as revolutionary, flying in the face of what is established and producing not what is acceptable but what will become accepted. According to this formulation, highly creative activity transcends the limits of an existing form and establishes a

28、 new principle of organization. However, the idea that extraordinary creativity transcends established limits is misleading when it is applied to the arts, even though it may be valid for the sciences.Differences between highly creative art and highly creative science arise in part from differences

29、in their goals. For the sciences, a new theory is the goal and end result of the creative act. Innovative science produces new propositions in terms of which diverse phenomena can be related to one another in more coherent ways. Such phenomena as a brilliant diamond or a nesting bird are relegated t

30、o the role of data, serving as the means for formulating or testing a new theory. The goal of highly creative art is very different: the phenomenon itself becomes the direct product of the creative act. Shakespeares Hamlet is not a tract about the behavior of indecisive princes or the uses of politi

31、cal power, nor is Picassos painting Guernica primarily a prepositional statement about the Spanish Civil War or the evils of fascism. What highly creative artistic activity produces is not a new generalization that transcends established limits, but rather an aesthetic particular. Aesthetic particul

32、ars produced by the highly creative artist extend or exploit, in an innovative way, the limits of an existing form, rather than transcend that form.This is not to deny that a highly creative artist sometimes establishes a new principle of organization in the history of an artistic field: the compose

33、r Monteverdi, who created music of the highest aesthetic value, comes to mind. More generally, however, whether or not a composition establishes a new principle in the history of music has little bearing on its aesthetic worth. Because they embody a new principle of organization, some musical works,

34、 such as the operas of the Florentine Camerata, are of signal historical importance, but few listeners or musicologists would include these among the great works of music. On the other hand, Mozarts The Marriage of Figaro is surely among the masterpieces of music, even though its modest innovations

35、are confined to extending existing means. It has been said of Beethoven that he toppled the rules and freed music from the stifling confines of convention. But a close study of his compositions reveals that Beethoven overturned no fundamental rules. Rather, he was an incomparable strategist who expl

36、oited limits of the rules, forms, and conventions that he inherited from predecessors such as Haydn and Mozart, Handel and Bach in strikingly original ways._BTEXT B/BExtraordinary creative activity has been characterized as revolutionary, flying in the face of what is established and producing not w

37、hat is acceptable but what will become accepted. According to this formulation, highly creative activity transcends the limits of an existing form and establishes a new principle of organization. However, the idea that extraordinary creativity transcends established limits is misleading when it is a

38、pplied to the arts, even though it may be valid for the sciences.Differences between highly creative art and highly creative science arise in part from differences in their goals. For the sciences, a new theory is the goal and end result of the creative act. Innovative science produces new propositi

39、ons in terms of which diverse phenomena can be related to one another in more coherent ways. Such phenomena as a brilliant diamond or a nesting bird are relegated to the role of data, serving as the means for formulating or testing a new theory. The goal of highly creative art is very different: the

40、 phenomenon itself becomes the direct product of the creative act. Shakespeares Hamlet is not a tract about the behavior of indecisive princes or the uses of political power, nor is Picassos painting Guernica primarily a prepositional statement about the Spanish Civil War or the evils of fascism. Wh

41、at highly creative artistic activity produces is not a new generalization that transcends established limits, but rather an aesthetic particular. Aesthetic particulars produced by the highly creative artist extend or exploit, in an innovative way, the limits of an existing form, rather than transcen

42、d that form.This is not to deny that a highly creative artist sometimes establishes a new principle of organization in the history of an artistic field: the composer Monteverdi, who created music of the highest aesthetic value, comes to mind. More generally, however, whether or not a composition est

43、ablishes a new principle in the history of music has little bearing on its aesthetic worth. Because they embody a new principle of organization, some musical works, such as the operas of the Florentine Camerata, are of signal historical importance, but few listeners or musicologists would include th

44、ese among the great works of music. On the other hand, Mozarts The Marriage of Figaro is surely among the masterpieces of music, even though its modest innovations are confined to extending existing means. It has been said of Beethoven that he toppled the rules and freed music from the stifling conf

45、ines of convention. But a close study of his compositions reveals that Beethoven overturned no fundamental rules. Rather, he was an incomparable strategist who exploited limits of the rules, forms, and conventions that he inherited from predecessors such as Haydn and Mozart, Handel and Bach in strik

46、ingly original ways.（分数：5.00）(1).Which of the following is NOT a feature of scientific creativity?（分数：1.00）A.Exceeding limits of forms and conventions.B.Relating diverse phenomena to one another.C.Forming a new generalization.D.Discovering a new particular.(2).Which of the following questions might

47、the passage be able to answer?（分数：1.00）A.Does artistic creativity mean transcending limits?B.What is the main feature of Picassos painting Guernia?C.Why is Mozarts The Marriage of Figaro considered as one of the musical masterpieces?D.Who besides Monteverdi wrote music to embody new principles of organization?(3).What can be inferred about the authors attitude towards the idea that all highly creative artistic activity transcends limits?（分数：1.00）A.Obviously indifferent.B.D