SMPTE ST 2094-1-2016 Dynamic Metadata for Color Volume Transform C Core Components.pdf
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1、 Approved May 18, 2016 Copyright 2016 by THE SOCIETY OF MOTION PICTURE AND TELEVISION ENGINEERS 3 Barker Avenue, White Plains, NY 10601 (914) 761-1100 SMPTE ST 2094-1:2016 SMPTE STANDARD Dynamic Metadata for Color Volume Transform Core Components Page 1 of 15 pages Table of Contents Page Foreword .
2、3 Intellectual Property 3 Introduction . 3 1 Scope . 5 2 Conformance Notation . 5 3 Normative References . 5 4 Terms and Definitions 6 4.1 application. 6 4.2 application identifier 6 4.3 application version 6 4.4 color volume . 6 4.5 color volume transform . 6 4.6 dynamic metadata 6 4.7 High Dynamic
3、 Range System (HDR System) 6 4.8 image essence . 6 4.9 luminance . 6 4.10 matrix 6 4.11 maxRGB . 6 4.12 metadata group 7 4.13 metadata item . 7 4.14 metadata set . 7 4.15 pixel coordinate 7 4.16 processing window . 7 4.17 sampled function 7 4.18 Standard Dynamic Range System (SDR System) . 7 4.19 ta
4、rgeted system 7 4.20 two-input sampled function . 7 4.21 vector 7 4.22 Wide Color Gamut (WCG) 7 4.23 window 7 4.24 xy chromaticity coordinates . 7 SMPTE ST 2094-1:2016 Page 2 of 15 pages 5 Overview (Informative) 8 6 Metadata Set . 8 7 Application Identifier and Version 8 8 Time Interval 9 8.1 Introd
5、uction 9 8.2 Time Interval Start . 9 8.3 Time Interval Duration . 9 9 Processing Window . 9 9.1 Introduction 9 9.2 Upper Left Corner 9 9.3 Lower Right Corner . 9 9.4 Window Number 9 10 Targeted System Display 10 10.1 Introduction . 10 10.2 Targeted System Display Primaries . 10 10.3 Targeted System
6、Display White Point Chromaticity . 10 10.4 Targeted System Display Maximum Luminance 10 10.5 Targeted System Display Minimum Luminance . 10 11 Color Volume Transform . 10 12 Matrix Constraints . 10 12.1 Number of Rows . 10 12.2 Number of Columns 11 12.3 Indexing 11 12.4 Numerical Representation 11 1
7、3 Sampled Function Constraints 11 13.1 Introduction . 11 13.2 Uniqueness of Values . 11 13.3 , Pair Ordering . 11 13.4 Input Domain 11 13.5 Range . 11 13.6 Numerical Representation 11 13.7 Interpolation Between Samples 11 13.8 Default Sampled Function 12 14 Two-input Sampled Function Constraints . 1
8、2 14.1 Introduction . 12 14.2 Data Structure 12 14.3 Value Ordering . 12 14.4 Input Domain 12 14.5 Mapping between Sample Points and Input Values . 12 14.6 Range . 12 14.7 Numerical Representation 13 14.8 Interpolation Between Samples 13 Annex A Dynamic Metadata Usage in a Generalized Color Volume T
9、ransform Model (Informative) . 14 Annex B Bibliography (Informative) 15 SMPTE ST 2094-1:2016 Page 3 of 15 pages Foreword SMPTE (the Society of Motion Picture and Television Engineers) is an internationally-recognized standards developing organization. Headquartered and incorporated in the United Sta
10、tes of America, SMPTE has members in over 80 countries on six continents. SMPTEs Engineering Documents, including Standards, Recommended Practices, and Engineering Guidelines, are prepared by SMPTEs Technology Committees. Participation in these Committees is open to all with a bona fide interest in
11、their work. SMPTE cooperates closely with other standards-developing organizations, including ISO, IEC and ITU. SMPTE Engineering Documents are drafted in accordance with the rules given in its Standards Operations Manual. SMPTE ST 2094-1 was prepared by Technology Committee 10E. Intellectual Proper
12、ty At the time of publication no notice had been received by SMPTE claiming patent rights essential to the implementation of this Engineering Document. However, attention is drawn to the possibility that some of the elements of this document may be the subject of patent rights. SMPTE shall not be he
13、ld responsible for identifying any or all such patent rights. Introduction This section is entirely informative and does not form an integral part of this Engineering Document. When image essence mastered with High Dynamic Range (HDR) and Wider Color Gamut (WCG) is transformed for presentation on a
14、display having a smaller color volume such as a Standard Dynamic Range (SDR) display, the color volume transform process can be optimized through the use of content-dependent, dynamic color volume transform metadata rather than using only static display color volume metadata. As the image essence ch
15、aracteristics change from scene to scene, the optimal transform that best reproduces the content creators artistic intent can change. For example, the color volume transform parameters used for a very dark scene could be quite different from those used for a very bright scene. As an alternative to a
16、rchiving and managing multiple, transformed masters, one for each targeted system, the transforms can be represented as metadata synchronized with the images of the HDR master. The metadata is captured or generated as a part of the mastering process, during which images are creatively approved, and
17、later applied as color volume transforms to the HDR master, therefore enabling alternate output encodings in the distribution stage. Provisions are included for supporting different models of color volume transforms with associated metadata sets, herein called applications. Metadata sets from multip
18、le applications and for multiple targeted systems can coexist, but are individually applied to the HDR master to create one or more output signals. Operational details about use and selection of metadata sets are not part of this document. SMPTE ST 2094-1:2016 Page 4 of 15 pages Figure 1 shows an ex
19、ample workflow using content-dependent, dynamic color volume transform metadata. In this example, the solid arrows represent the flow of complete image data with or without metadata and the dashed arrows represent the flow of metadata and/or image data from which metadata can be extracted. Two appro
20、ved image versions are provided, one HDR master and one SDR rendition. Some applications use an actual SDR master. Other applications use an interactive SDR rendering, where, during a grading process, the colorist interactively changes a color volume transform while viewing the resulting image on an
21、 SDR display. Content-dependent, dynamic metadata is extracted from the approved versions. Mastering display metadata (such as the color volume and dynamic range) is obtained for the HDR and the SDR reference mastering displays. The metadata is carried (here marked as “+m“) with the HDR master conte
22、nt for distribution. On playout, the metadata is utilized to transform the HDR content to the color volume and dynamic range of the consumer display device. The metadata can be applied in the distribution facility for different output media, in a consumer playout device, in the consumer display, or
23、not at all, depending on the needs and capabilities of the distribution channel and consumer equipment. Figure 1 Example Dynamic Metadata Workflow SMPTE ST 2094-1:2016 Page 5 of 15 pages 1 Scope The SMPTE ST 2094 suite of documents define metadata for use in color volume transforms of content. The m
24、etadata are content-dependent and can vary scene-by-scene or image-by-image. The metadata are intended to transform High Dynamic Range and Wide Color Gamut (HDR/WCG) image essence for presentation on a display having a smaller color volume than that of the mastering display used for mastering the im
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