1、 ANSI E1.32 2012 (R2017) Guide for the Inspection of Entertainment Industry Incandescent Lamp Luminaires (Document number EP/2006-7016r11) This document was approved as an American National Standard by the ANSI Board of Standards Review on 15 September 2017. Copyright 2017 ESTA All rights reserved.
2、NOTICE and DISCLAIMER ESTA does not approve, inspect, or certify any installations, procedures, equipment or materials for compliance with codes, recommended practices or standards. Compliance with an ESTA standard or an American National Standard developed by ESTA is the sole and exclusive responsi
3、bility of the manufacturer or provider and is entirely within their control and discretion. Any markings, identification or other claims of compliance do not constitute certification or approval of any type or nature whatsoever by ESTA. ESTA neither guarantees nor warrants the accuracy or completene
4、ss of any information published herein and disclaims liability for any personal injury, property or other damage or injury of any nature whatsoever, whether special, indirect, consequential or compensatory, directly or indirectly resulting from the publication, use of, or reliance on this document.
5、In issuing and distributing this document, ESTA does not either (a) undertake to render professional or other services for or on behalf of any person or entity, or (b) undertake any duty to any person or entity with respect to this document or its contents. Anyone using this document should rely on
6、his or her own independent judgment or, as appropriate, seek the advice of a competent professional in determining the exercise of reasonable care in any given circumstance. Published by: Entertainment Services and Technology Association 630 Ninth Avenue, Suite 609 New York, NY 10036 USA Phone: 1-21
7、2-244-1505 Fax: 1-212-244-1502 standardsesta.org The ESTA Technical Standards Program The ESTA Technical Standards Program was created to serve the ESTA membership and the entertainment industry in technical standards related matters. The goal of the Program is to take a leading role regarding techn
8、ology within the entertainment industry by creating recommended practices and standards, monitoring standards issues around the world on behalf of our members, and improving communications and safety within the industry. ESTA works closely with the technical standards efforts of other organizations
9、within our industry as well as representing the interests of ESTA members to ANSI, UL, and the NFPA. The Technical Standards Program is accredited by the American National Standards Institute. The Technical Standards Council (TSC) was established to oversee and coordinate the Technical Standards Pro
10、gram. Made up of individuals experienced in standards-making work from throughout our industry, the Council approves all projects undertaken and assigns them to the appropriate working group. The Technical Standards Council employs a Technical Standards Manager to coordinate the work of the Council
11、and its working groups as well as maintain a “Standards Watch” on behalf of members. Working groups include: Control Protocols, Electrical Power, Event Safety, Floors, Fog and Smoke, Followspot Position, Photometrics, Rigging, and Stage Lifts. ESTA encourages active participation in the Technical St
12、andards Program. There are several ways to become involved. If you would like to become a member of an existing working group, as have over four hundred people, you must complete an application which is available from the ESTA office. Your application is subject to approval by the working group and
13、you will be required to actively participate in the work of the group. This includes responding to letter ballots and attending meetings. Membership in ESTA is not a requirement. You can also become involved by requesting that the TSC develop a standard or a recommended practice in an area of concer
14、n to you. The Electrical Power Working Group, which authored this Standard, consists of a cross section of entertainment industry professionals representing a diversity of interests. ESTA is committed to developing consensus-based standards and recommended practices in an open setting. American Nati
15、onal Standards The use of American National Standards are entirely voluntary. The existence of an ANSI standard in no way precludes anyone from manufacturing, selling, marketing, purchasing or using products, procedures or processing not conforming to a standard. Approval of an American National Sta
16、ndard requires that the American National Standards Institute verify that the requirements for due process, consensus and other criteria required for approval have been met by ESTA. Consensus is arrived at when, in the judgment of the American National Standard Institute Board of Standards review, s
17、ubstantial agreement has been reached by directly and materially affected interests. Substantial agreement is more than a simple majority but not necessarily everyone. (ESTA requires a Super Majoritythe affirmative vote of at least two-thirds of those who voted, excluding abstentions, and more than
18、50% of the total voting body, including abstentionsfor approval). Consensus requires that all views and objections be considered and that an effort be made toward their resolution. An American National Standard may be revised or withdrawn at any time. The procedures of the American National Standard
19、 Institute require that a standard be periodically reviewed and reaffirmed, revised or withdrawn. The American National Standards Institute does not develop standards and in no circumstances will give interpretations of ANSI standards. Contact Information Technical Standards Manager Karl G. Ruling E
20、STA 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 karl.rulingesta.org Assistant Technical Standards Manager Erin Grabe ESTA 630 Ninth Avenue, Suite 609 New York, NY 10036 USA 1-212-244-1505 erin.grabeesta.org Technical Standards Council Chairpersons Mike Garl Mike Garl Consulting
21、 LLC 1-865-389-4371 Mike Wood Mike Wood Consulting LLC 1-512-288-4916 Electrical Power Working Group Co-Chairpersons Mitch Hefter 1-972-839-8488 mkhefter.pDesignR Ken Vannice Ken Vannice LLC 1-503-244-8732 Acknowledgments The Electrical Power Working Group members when this document was approved
22、by the working group on 18 April 2017 are shown below. The company or organization listed is the company or organization represented if the member is a voting member. Voting members: Kevin Amick; IATSE Local 479; G Matthew Antonucci; Contract Services Administration Trust Fund; U Justin Bennett; Uni
23、versity of the Incarnate Word; U Rodger Dean; Entertainment Electrical Safety Committee of Ontario; G Don Earl; Earl Girls, Inc.; DR Nehad El-Sherif; Nehad El-Sherif; G Ian Foulds; Entertainment Electrical Safety Committee of Ontario; G Jerry Gorrell; Theatre Safety Programs; U Mitch Hefter; USITT;
24、U Simon Hunt; IATSE Local 891; U Bob Luther; Lex TM3; CP Tyrone Mellon_Jr.; Lex TM3; CP Edwin S. Kramer; I.A.T.S.E. Local 1; U Roger Lattin; I.A.T.S.E. Local 728; U Hans Lau; Filmgear, Inc.; MP Michael Lay; Philips Lighting; MP George Long; Aggreko; DR Alan M. Rowe; I.A.T.S.E. Local 728; U Heather R
25、owe; Contract Services Administration Trust Fund; U Larry Schoeneman; DesignLab Chicago, Inc.; DR Steve Terry; Electronic Theatre Controls, Inc.; MP Stephen Vanciel; IATSE Local 631; U Ken Vannice; Ken Vannice LLC; G Art Wanuch; Entertainment Electrical Safety Committee of Ontario; G Keith S. Woods;
26、 IATSE Local 891; U Observer (non-voting) members: Robert Barbagallo; Solotech Inc.; DR Alyxzander Bear; Insomniac; DE Lee J. Bloch; Bloch Design Group, Inc.; G Louis Bradfield; Louis Bradfield; U Richard Cadena; Academy of Production Technology; G Ron Dahlquist; Dadco; MP James Davey; AC Power Dist
27、ribution Inc.; CP Jeremy Day; Lumenpulse Lighting Inc.; MP Jim Digby; Event Safety Alliance; U Marsha DuBois; Pintech Stage Connectors, Inc.; CP James Eade; ABTT; G Brian Eustace; Mole-Richardson Co.; CP Trevor Forrest; Helvar Lighting Control; MP Mike Harwood; William F. White International; DR Jim
28、 Holladay; Luxence; G Charles (Chuck) Kurten; Underwriters Laboratories, Inc.; G Nathan Leonard; Bender GmbH MP Pat Miller; Hubbell Inc. ; MP Kevin OBrien; Bestek Lighting U Elizabeth E. (Lizz) Pittsley; Elizabeth Pittsley; U Ford Sellers; Chauvet Lighting; MP Mike Skinner; Alliance of Motion Pictur
29、e and Television Producers; U Jonny Starr; TMB; MP Robert Timmerman; Philips Lighting; MP James Tomlinson; Team Tomlinson; G Colin Waters; TMB; DR Jeong Sik Yoo; Korea Testing Laboratory / Theatre Safety Center; DE Interest category codes: CP = custom-market producer DE = designer DR = dealer rental
30、 company G = general interest MP = mass-market producer U = user Investors in Innovation The Technical Standard Program is financially supported by companies and individuals who make undirected donations to the TSP. Contributing companies and individuals who have helped fund the TSP are recognized a
31、s “Investors in Innovation.” The Investors in Innovation when this standard was approved by ANSI on 15 September 2017 include these companies and individuals: VISIONARY LEADERS ($50,000 100 employees/members) Chauvet Professional Columbus McKinnon Entertainment Technology Martin Professional Robe Un
32、ited States Institute for Theatre Technology VER Walt Disney Parks and Resorts VISIONARY ($5,000 20100 employees/members) Altman Lighting, Inc. German Light Products JR Clancy McLaren Engineering Group Rose Brand Stage Rigging TMB Tyler Truss Systems, Inc. VISIONARY ($500 100 employees/members) Barb
33、izon Electric Golden Sea Professional Equipment Limited IATSE Local 891 Lex NAMM Rosco Laboratories Texas Scenic Company INVESTOR ($1,500$4,999; 20100 employees/members) American Society of Theatre Consultants City Theatrical Inc. InterAmerica Stage, Inc. Lycian Stage Lighting Morpheus Lights Niscon
34、 Inc. Syracuse Scenery and Stage Lighting XSF Xtreme Structures and Fabrication INVESTOR ($200$499; 100 employees/members) Ian Foulds, IATSE Local 873 Harlequin Floors IATSE Local 80 PSAV SUPPORTER ($1,500; 20100 employees/members) Aerial Arts Blizzard Lighting, LLC Creative Stage Lighting Geiger En
35、gineers H 20 employees/members) AC Power Distribution Michael Cowger Milton Davis Peter Donovan Pat Grenfell Mitch Hefter Bill Hektner Alan Hendrickson Hoist Sales and Services Beverly and Tom Inglesby Intensity Advisors JSAV Eddie Kramer Michael Lay John Musarra Shawn Nolan Lizz Pittsley Phil Reill
36、y Robert Scales Charles Scott Michael Skinner Skjonberg Controls Inc. Studio T+L, LLC John Szewczuk Teclumen Theta Consulting Tracy Underhill Ken Vannice Robert L. Williams Planned Giving donor ANSI E1.32 2012 (R2017), Guide for the Inspection of Entertainment Industry Incandescent Lamp Luminaires T
37、able of Contents Acknowledgments . vi 1 Scope. 1 2 Entertainment Industry Luminaire Inspections and Preventative Maintenance 1 3 Definitions 2 4 Before Use Luminaire Inspections 2 5 Routine Luminaire Inspections 2 6 Comprehensive Luminaire Inspections . 3 7 Replacement Of Burned Out or Defective Lam
38、ps . 4 8 Safety Ground and Leakage . 4 9 Luminaires Containing Asbestos . 4 Appendix A, Sample Inspection Checklists 5 Appendix B, Responsible Mercury-Containing Lamp Use . 8 Appendix C. Bibliography . 9 2017, ESTA ii ANSI E1.32 2012 (R2017), Guide for the Inspection of Entertainment Industry Incand
39、escent Lamp Luminaires 1 Scope This document provides guidance in the inspection of luminaires used in the entertainment industry that use incandescent lamps, with the exception of automated luminaires. This inspection guide is intended to aid those who wish to create a luminaire inspection program
40、and to assist a technician in identifying defects that may be hazardous to life or health and defects that may impair the appearance and/or functioning of the luminaire. Sections of the program may be required to be modified to meet the particular requirements or needs of a facility and/or user. The
41、 information contained in this document is intended to supplement, not replace, the information contained in manufacturers maintenance instructions. When there is a conflict between this recommended practice and the manufacturers instructions, the manufacturers instructions shall be followed. The cu
42、rrent version of this document does not include luminaires that use power supplies, ballast or starters. Future versions may include luminaires that use power supplies, ballasts, or starters. Appendices are for information or illustration only and not part of the requirements of this standard. 2 Ent
43、ertainment Industry Luminaire Inspections and Preventative Maintenance The inspections in this document are Before Use, Routine and Comprehensive inspection of entertainment luminaires without powers supplies. The frequency of routine and comprehensive inspections should be determined by the owner/u
44、ser based on usage and the working environment of the luminaire. Unless it is practical to do a comprehensive inspection in place, it is recommended that all luminaires on running productions and permanent installations be replaced with newly inspected units or removed, inspected and replaced. Inspe
45、ctions should be at minimum directed by and preferably conducted by a qualified person or persons knowledgeable in the equipment being inspected the facility and/or owners operating procedures. In the event that any luminaire is involved in an incident, such as a batten run-away or other similar inc
46、ident, it is recommended that each luminaire receives an inspection based on the inspection checklists described in sections 4 thru 6 of this document. Any luminaire that has been removed from service because it has failed inspection or was otherwise determined to be defective shall be repaired, re-
47、inspected, or tagged noting the defect. Tagged equipment shall not be placed in service until repaired and passes re-inspection. Tags shall not be removed until the luminaire is repaired and passes re-inspection. All inspections shall include any additional inspections and checks required by the equ
48、ipment manufacturer. All repairs shall be made using materials that are known to meet or exceed the original materials being replaced. (FPN) Entertainment industry luminaires often operate at higher temperatures than general use luminaires. Wire that looks like Type SFF2 rated 150C, normally not mar
49、ked, is actually special wire rated 250C. Crimp terminals that look like common items are actually special nickel-plated high-temperature terminals. All luminaire repairs should be recorded. 2017, ESTA 1 ANSI E1.32 2012 (R2017), Guide for the Inspection of Entertainment Industry Incandescent Lamp Luminaires 3 Definitions 3.1 portable: Fed with portable cords or cables and intended to be moved from place to place. 3.2 service: Use 3.3 qualified person: A person who, by possession o
