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    SMPTE ST 299-0-2010 24-Bit Digital Audio Format for SMPTE 292 Bit-Serial Interface Roadmap for the 299 Document Suite.pdf

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    SMPTE ST 299-0-2010 24-Bit Digital Audio Format for SMPTE 292 Bit-Serial Interface Roadmap for the 299 Document Suite.pdf

    1、 Copyright 2010 by THE SOCIETY OF MOTION PICTURE AND TELEVISION ENGINEERS 3 Barker Avenue, White Plains, NY 10601 (914) 761-1100 www.smpte.org Issued July 21, 2010 IO Document Roadmap The SMPTE 299 suite of documents specifies 24-Bit Digital Audio Formats for SMPTE 292 Bit-Serial Interfaces. This in

    2、formative “roadmap” describes the documents in the 299 suite. Note that SMPTE 299-2009 has been renumbered as SMPTE ST 299-1:2009 (see below); the renumbered document is functionally identical to SMPTE 299-2009. SMPTE ST 299-1:2009 provides 16 channels of embedded audio for the SMPTE family of HD-SD

    3、I standards. Scope of SMPTE ST 299-1:2009 1.1 This standard defines the mapping of 24-bit AES digital audio data and associated control information into the ancillary data space of a serial digital video conforming to SMPTE 292. The audio data are derived from AES3, hereafter referred to as AES audi

    4、o. The AES audio data may contain linear PCM audio or non-PCM data formatted according to SMPTE 337. Not all implementations compliant with this standard may support all sampling frequencies. Manufacturers are encouraged to indicate which sampling frequencies are supported (see Annex D). 1.2 Audio s

    5、ampled at a clock frequency of either 48 kHz or 96 kHz locked (synchronous) to video, is the preferred implementation for intrastudio applications. As an option, this standard supports AES audio at synchronous or asynchronous sampling rates from 32 kHz to 48 kHz. 1.3 Audio channels are transmitted i

    6、n groups of four, up to a maximum of 16 audio channels in the case of 32-kHz, 44.1-kHz or 48-kHz sampling, and up to a maximum of 8 audio channels in case of 96-kHz sampling. Each group is identified by a unique ancillary data ID. 1.4 Audio data packets are multiplexed (embedded) into the horizontal

    7、 ancillary data space of the Cb/Cr data stream, and audio control packets are multiplexed into the horizontal ancillary data space of the Y data stream. SMPTE ST 299-2:2010 provides 16 additional channels of embedded audio for ST 425 level A 3 Gb/s serial interfaces. Scope of SMPTE ST 299-2:2010 Thi

    8、s SMPTE ST 299-2 standard defines a SMPTE 291M Type 1 packet structure for identifying audio channels numbered from 17 to 32, beyond the 16 channels defined in SMPTE ST 299-1. Four extended audio data packets and four extended audio control packets are identified. One of the extended audio control p

    9、ackets and one of the extended audio data packets is assigned to transport each of the four extended audio groups. Each extended audio group has four channels that carry up to four 24-bit audio channels with 32, 44.1, or 48-kHz sample rates, or up to two 24-bit audio channels with 96-kHz sample rate

    10、. Page 1 of 2 pages SMPTE 299-0:2010 SMPTE ROADMAP 24-Bit Digital Audio Format for SMPTE 292 Bit-Serial Interface Roadmap for the 299 Document Suite SMPTE 299-0:2010 Page 2 of 2 pages The purpose of defining four extended audio groups is to allow for multiplexing up to 32 audio channels into the hor

    11、izontal ancillary (HANC) data space of the video source image formats mapped to a 3 Gb/s Level A serial data interface. The 3 Gb/s Level B serial data interface is capable of carrying 32 audio channels via application of SMPTE ST 299-1 to each of two 1.5 Gb/s SDI channels. The format and location of audio data and control packets in the video data stream is identical to that of SMPTE ST 299-1, except for differences required to define extended audio groups.


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